The Strokes just reintroduced the world to one of the most criminally overlooked bands of New York’s 2000s post-punk revival. Among a conversation dominated by Interpol, The Yeah Yeah Yeahs, The Strokes and LCD Soundsystem sits The Walkmen. Born from the ashes of Jonathan Fire* Eater and The Recoys, The Walkmen brought a sentimentality to the scene that balanced the grittiness of their garage contemporaries with the vulnerability of bands like The National and Grizzly Bear. The result is one of